This is the story of Joey Skaggs’ first mobile public spectacle on a tricycle. Over the years since then, he has created many more sculptures mounted on wheels to take his activism to the streets. The wheels make sure he can get away safely if necessary.

In the 1960’s, Joey Skaggs loved motorcycles. He rode them and he raced them.

He had very long hair. When he’d race dirt bikes, spectators would say (or so he was told by friends), “Look at that crazy chick go!”

Skaggs lived on 2nd Street between 2nd Avenue and the Bowery in New York City. Many of his neighbors were members of motorcycle gangs. They didn’t have long hair. Very few people did. Joey said his reason for having long hair was that he was trying to get as much out of his head as possible. In actuality, he probably did it to be cool and to piss off his father.

To satirize the Hell’s Angels, outrageous weddings (Skaggs believed that marriage was the legalized enslavement of men and women), Puerto Rican-style customized bicycles, and to generally have a good time and blow some minds, Skaggs built a customized tricycle, which he decorated with all sorts of Rican (as in Puerto Rican) car stuff — fox tails, horns, bells, streamers, flags, lights, a radio, lots of chrome, a clothespin card on the spokes, and reflectors. The tricycle had a sign that said “Just Married.” It was a poor man’s ’57 Chevy.

Skaggs then gathered a group of Lower East Side kids with bicycles and, along with an actress friend named Rita, who sat behind him on fake leopard skin cushions, Skaggs and his gang of bicyclers held a mock wedding parade. They peddled around the Lower East Side and parked on St. Marks Place and 2nd Avenue in front of Gem Spa, famous for its chocolate egg creams, where the bikers normally parked their choppers. Some of the bikers actually dug it and escorted the wedding procession as it continued peddling around town dragging pointy shoes and beer cans behind it.

8mm film shot by Peter Markus (no audio)

Skaggs’ Hell’s Angels Wedding was the precursor to his future mobile spectacles for which he created sculptures mounted on tricycles or wheeled platforms. These included his 1992 Portofess, 2004 Bush!, 2012 Mobile Homeless Homes and Santa’s Missile Tow, 2014 Bigfoot & Tiny Top Circus, 2017 Trump’s Golden Throne, 2018 Trump’s Military Parade, 2018 Trump’s Kool-Aid Tasting at the White House, 2019 Trump’s Kool-Aid in New York, and 2024 Democracy at the Guillotine.